“Birds of a Feather” Out in Tales from the Canyons of the Damned

I am thrilled to have my flash horror story, “Birds of a Feather,” out in Tales from the Canyons of the Damned 27. It is flattering to be referred to as a “master of speculative fiction” by best-selling author Daniel Arthur Smith. He and Editor Jessica West were great to work with, and I love the consistent pulp fun underlying the chills and thrills of the stories in Canyons. It’s also exciting that issue 27 was a Top 20 Hot New Release on Amazon.  I can’t wait to read the whole issue!

Photo credit: Jean-Baptiste Coriolan, Harpie. Monstrorum historia d’Ulisse Androvandi, p. 337, 1642. Wikimedia Commons.  PD.

 

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Monstrous Flash Forthcoming at Canyons of the Damned

After a bit of a dry spell (OK I was panicking), my flash horror story, “Birds of a Feather,” has been accepted by Canyons of the Damned, where it will appear in ebook and paperback, and possibly be podcast as well. I am thrilled that best-selling author Daniel Arthur Smith accepted my work for this publication, and I look forward to familiarizing myself further with the magazine and podcast.

The story involves a starving woman sharing an island with a harpy. It does not end well.

Cheers!

Photo credit: Jean-Baptiste Coriolan, Harpie. Monstrorum historia d’Ulisse Androvandi, p. 337, 1642. Wikimedia Commons.  PD.

More Can Poems to Appear in Clockwise Cat

It has been some time since I have had anything to report, but I am happy to say that a reprint of my Can poem #6, the one about pride, in the shape of an American flag, and a new poem, “Can #11: Clabber Girl Double Acting Baking Powder,” will be out in the fall at Clockwise Cat, a politically progressive and aesthetically experimental venue. 

I am especially happy that Clockwise Cat‘s editor, Alison Ross, saw merit in these works because I had, before submitting to her, an extremely unpleasant experience with James K Beach, editor of Woodcoin, who, in four separate emails, called my can poems “derivative commercialism” and plagiarism, impugned my credentials, and ended by suggesting that I should be grateful for his “honesty.”

I mention this to warn anyone who may be considering submitting to Woodcoin. Had I not, by now, had some success, even a little serious success, with my writing, I might have been devastated by Beach’s responses.

To his credit, Beach did make me think about copyright more thoroughly. Although my can poems are not plagiarism because they use fragments of material in a transformative context, I realized that some of my media use was dubious, so I took the questionable ones off this site and resolved to be more careful in the future. I do thank Beach for that. 

But in contrast with him, Clockwise Cat editor Alison Ross was interested enough in my submission  to ask for more, which led me to write yet another poem (Can #11–take that, Beach) and acquire another publication credit. I am grateful to her and look forward to getting to know Clockwise Cat and eventually appearing there. 

 

Photo credit: Giftgarden Black Cat Wall Clock Home Decoration for Pets Gifts. 27 Feb. 2017, Flickr Commons. PD. 

Fun Times at the Florida Loquat Festival

The Florida Loquat Festival is a celebration of the loquat in all forms, from cultivar to fruit, set in the neighborhood open space of Frances Park. But unlike most such community celebrations, the Florida Loquat Festival includes a literary component.

This year’s Loquat Literary Festival, which I first posted about  here, included a poetry contest with cash prizes. Two of the judges, Ryan Cheng and Annalise Mabe, met my travel companion, the third-prize winner, and me at the festival for a photo op and some poetry chat, and then the reading began, with a song and some enjoyable verse tributes to the loquat from community members. Ryan read the winning poem, by Jan Ball, and introduced first my new acquaintance (who may prefer me not to mention her name) the third-place contestant, who read her poem, and then me, who read mine.

The whole occasion was relaxed. Though unorthodox, the poetry reading seemed a natural and perfect ending to the loquat celebration. Everyone was friendly and congratulatory, and the weather, in accord with the pathetic fallacy, was sunny and pleasantly warm. Thanks to everyone who made it possible, especially Annalise, Ryan, and Dell De Chant. Special thanks to Dell for getting us t-shirts, last year’s Leaves of Loquat chapbook, and a little extra money in light of how far we’d traveled. 

I look forward to the release of this year’s chapbook, so I can see the poems that weren’t read and peruse the winning poems at more leisure. Maybe I will also be able to return to New Port Richey for the occasion. But even if I can’t, I will at least have fond memories of this welcoming, friendly community.

 

Photo credit: Oldie~commonswiki, Eriobotrya japonica. Wikimedia Commons. GDSL 1.2 or later.

  

Second Prize in the Loquat Literary Festival Contest!

I have just been notified that I have won second prize in this year’s Literary Loquat Festival for my poem, “Loquats in Vienna”! The literary festival is part of the larger Florida Loquat Festival, which you can read about here. In addition to being read at the festival, my poem will be published in the chapbook, Leaves of Loquat IV, this fall. Many thanks to Ryan Cheng, who is in charge of the contest and chapbook, for his work.

The call for submissions for this festival asked for poems in which the loquat was a central image. This spoke to me because, although my sole encounter with the loquat was at a restaurant, Steirereck, in Vienna’s Stadtpark, and although the loquat was merely one small part of my husband’s dessert, the meal was unforgettable, and so was the trip.  So I researched loquats and used them as a central metaphor for us and our relationship in Vienna.

It will be hectic getting to the festival and back between violin lessons and my Palm Sunday gig, but I am looking forward to reading the poem there and will let you know how it went. If you are in the Port Richey, Florida, area on March 24th, please stop by, experience loquats, and say hello. 

 

Photo credit: Oldie~commonswiki, Eriobotrya japonica. Wikimedia Commons. GDSL 1.2 or later.

 

“Can #8 . . .” Up On Five:2:One’s #thesideshow

Screen shot from Creature from the Haunted Sea. PD.

The poem I wrote about here is up here, at Five:2:One, #thesideshow, complete with my reading, to a weird slideshow with sound effects. I had fun doing it, and I hope you have fun devoting thirty-one seconds of your life to it.

While you’re there, poke around among the other oddities and brevities. You will experience frequent and salutary jolts of the unexpected.

Cheers. 

“Etheree for Heather Heyer” Accepted by Poetry South

In this week when news organizations have been falling over themselves to report on the death of wealthy, antifeminist, homophobic, antisemitic Vietnam War supporter and North Korean cheerleader Billy Graham, it is fitting to recall the sacrifice made by Heather Heyer.

A short, simple etheree seemed a suitable vehicle for a tribute to someone whose life was brief because she simply did what was right and knew no other way to be. I know my poem can’t do her justice, but then no poem could. I am happy that Poetry South will be printing it this December.

 

Homework from Five:2:One #thesideshow

I am happy to report that my poem, “Can #8: Aquafina Sparkling,” has been accepted by #thesideshow part of Five:2:One Magazine.

What does this have to do with an obscure Roger Corman film trying to cash in on America’s Cold War relations with Cuba  that I found in public domain? Well,  the staff at #thesideshow had a lot of homework for me. In addition to the usual “follow us on Facebook and Twitter,” “Send a photo,” etc., they want me to read my poem and jazz it up a bit. And since from “Aquafina Sparkling” I derived “Aquafin King,” a charming but totalitarian potentate/supervillain, I’m thinking of incorporating material from the Corman film in my presentation (“Morning Mood” from The Peer Gynt Suite may also make an appearance).  

Whatever happens, it will all be over by March 10th, when #thesideshow will post the piece. I’ll remind you, and you can go see what I perpetrated.

 

Big Break from Spectacle Magazine!

For some time I have been close to the next level of success in my writing. Finalist in this or that, shortlisted for this and that, a positive review in New Pages, a little money here and there. But I had yet to publish in a journal recognized as one of the “top,” or win (or even be nominated for) a substantial prize, or sell anything to a publisher for a substantial sum. I wasn’t bitter–I am sincerely happy that there are so many talented people out there, and I am enjoying writing so much that I will continue regardless (you have been warned). But I was beginning to wonder.

Turns out all those clichés about persistence and it only takes one person are true. Also the “kill your darlings” thing. The editors of a new speculative fiction magazine, Spectacle, liked my story, “Gutman to the Rescue,” and are paying me the substantial sum of $500 to publish it in an upcoming issue!

As usual, this story had been making the rounds, slowly spiraling down from better paying to less well paying to free, for some time. Fortunately, editors at one low-paying journal told me I needed to axe large portions of the piece in order to streamline the pacing. Although those editors eventually rejected the streamlined version, I am indebted to them because the story went on to find favor at Spectacle. 

Of course, I feel grateful and validated. But this tale is also a reminder of how random the whole process is. So much depends on luck and chance, and the story could just as easily have met a less prestigious fate. I am reminded that I am writing because it is what I have always wanted to do and because I have things to say and an active imagination. Everything else, welcome and unwelcome, is secondary. 

 

  

 

“Hollow” Up at formercactus

The micro-fiction I wrote about here is now up! You can find it in issue four, here. I have been reading issue three, and I find formercactus to be a delectable box of chocolates. I never know what to expect, and even while I am reading, new depths of flavor suddenly emerge in the pieces. Suitable for all your literary snacking needs. So check it out!