Summer is here, and so is my son, the history teacher. Here’s our review of Severance.
Here is the link to the 2% Milk roundtable discussion that I mentioned in earlier posts. Editors Nic Rago and Lily Reed (mostly Editor-in-Chief Nic) follow up with the artists on their views about their creative processes, their art, and the interaction between the arts and their social and cultural contexts. As on the website, the graphics in the roundtable video are trippy, which I mostly enjoyed. I’m both happy to have been a part of this well-thought-out, interesting, and experimental project, and a little sad that it’s over. The amount of time and energy the editors have put in is truly impressive.
So check it out. And if you have created anything especially intriguing and a little wild, 2% Milk is open for submissions here: firstname.lastname@example.org.
The creative nonfiction piece I wrote about here is now up at The Pine Cone Review. I’m fond of it, although it would have taken a truly spectacular piece to start to do Isabella justice. The Pine Cone team has paired “Magic” with an appropriate picture focusing on a dropped and broken ice cream cone. Many thanks to the editors.
Thanks to David L O’Nan, editor of Fevers of the Mind, for posting my review of Matt Duggan’s Everyone is Waiting for Tomorrow on the Fevers site. It is my Wolfpack contribution for June. I have written very few reviews. Generally, I feel that literary criticism, though an honorable pursuit and a crucial aspect of literature’s power to speak to people, does not give me the thrill of immediate connection I get from producing or directly experiencing literary discourse.
I wanted to put in the effort for Everyone is Waiting for Tomorrow, though, because it is good and should be read widely, and because I believed I would learn from the process of reviewing and achieve a deeper understanding of the work, and because, while I don’t know Matt well, I believe he is a kind person, and I deeply respect his talent—so I wanted to show support for his collection.
Everyone is Waiting for Tomorrow grew out of Matt’s experience in the pandemic, during which time his father grew ill and died. The collection also hits many of the notes of Matt’s earlier work–themes of decay, the corruptions of imperialism, capitalism, and bureaucratic institutions, the magic of travel, the beauty of nature, and our need of it–and the pieces in it contain the rich imagery and variety of inventive formal approaches readers of his work will have come to expect.
It seems to me, though, that the breadth and depth of subject matter combine with a sense of urgency and extreme emotion to give this collection an epic feel. You can read the review for the details, but Matt is telling an important story about where we are and where we are going, one we can all find ourselves in, and, perhaps, learn from. I’m proud to know him.
Speaking of wonderful artists . . .
It is quite exciting to see my blog, where I often feel as if I were talking to myself, featured in a magazine with 11,000 subscribers, most of whom are women writers. “Blogability,” featuring Word Music in the latest issue of Mslexia, consists of a short description of how I came to write this and what I do here, and an excerpt from the blog. I chose a bit describing my can poems, because it fit well in their 300-word format. Thanks to Production Editor Maxine Davies and the whole editorial team at Mslexia for choosing to feature Word Music.
Mslexia is online and in print. You can learn about it, read some of it, subscribe for access to the whole magazine, and sign up for additional writing-related experiences here. Mslexia has many resources and opportunities for writers, including many opportunities to submit to the magazine.
Mslexia also pays for all writing, I was especially grateful for the boost to my online finances from the “Blogability” publication because my account had become quite low, owing to my getting behind on rotting up violin and viola lesson fees. Now I can buy Tom Daley’s latest chapbook, Far Cry, without waiting for my snail-mail check to get to him.
Looking forward to it.
After a fantastic visit to San Francisco, during which my husband and I attended the launch party for 2% Milk, the issue has launched. It looks spectacular, and I’m not just talking about my poetry. Find out what all the fuss is about here
In case you’re still not convinced, check out the trailer for the project:
The trailer was shown at the launch party, where we also enjoyed the superb fare and beer of Pizza Hacker, the company of indefatigable editors Nic, Reed, and Lily, and conversation with fellow contributor Bob Ernst, as well as various other attendees. I also read my poems there, and a selection from The Jesus Wars—all welcomed by the friendly audience.
As I have said before, 2% Milk is full of cool artists in a variety of media. The editors thoughtfully sent their files to all contributors ahead of time, and I have checked most of them out. I feel confident in saying that the issue contains not just something for everyone, but something you really needed, even if you didn’t know it.
And in case you are more philosophically inclined, on June 8th, the editors will put out a round-table discussion with contributors regarding their work, and art in general, in its sociopolitical context. Don’t worry. I’ll remind you about it.