2% Milk Up at Last

2% Milk logo on tee I got at the launch party. Taken by me. 4 June 2022.

After a fantastic visit to San Francisco, during which my husband and I attended the launch party for 2% Milk, the issue has launched. It looks spectacular, and I’m not just talking about my poetry. Find out what all the fuss is about here

In case you’re still not convinced, check out the trailer for the project:

The trailer was shown at the launch party, where we also enjoyed the superb fare and beer of Pizza Hacker, the company of indefatigable editors Nic, Reed, and Lily, and conversation with fellow contributor Bob Ernst, as well as various other attendees. I also read my poems there, and a selection from The Jesus Wars—all welcomed by the friendly audience.

As I have said before, 2% Milk is full of cool artists in a variety of media. The editors thoughtfully sent their files to all contributors ahead of time, and I have checked most of them out. I feel confident in saying that the issue contains not just something for everyone, but something you really needed, even if you didn’t know it.

And in case you are more philosophically inclined, on June 8th, the editors will put out a round-table discussion with contributors regarding their work, and art in general, in its sociopolitical context. Don’t worry. I’ll remind you about it.

“The Perfect Doll” Accepted for A Monster Told Me Bedtime Stories

Dramatization of Schubert’s Erlkönig

Please go see and hear this haunting dramatization of Schubert’s Erlkönig, which was part of the inspiration for my story, “The Perfect Doll.” Ever since I studied this song in conservatory (music history and piano class, I think; I’m not a singer), I have had a thing for it, and I love the way the paper cutouts capture the spooky tragedy of the story in this YouTube video.

I can’t remember the call that inspired me to write this story. Probably it was a Christmas horror anthology. But I combined my mild disgust at the Elf on the Shelf Santa spy with the elves from pagan traditions like those in the Erlkönig or the Wild Hunt and imagined an earnestly Christian family confronted with the pagan Yule.

As usual I had a fun time writing it, only to realize I had once again, without really intending to, produced something on the edgy side. But, as usual, it has found a home. After placing Theda and Me in Horror USA: California on Soteira Press, I look forward to appearing in another anthology from the press, A Monster Told Me Bedtime Stories, due out August 1. Thanks to Rachele Bowman and any other editors and readers at the press who were involved in selecting “The Perfect Doll.”

I hope you are all healthy, happy, and productive in these difficult times. Now go watch the Erlkönig video!

 

 

Long-Listed for the Erbacce-Prize

Ursinus College Commencement Program, “Awards,” taken by me, 18 May 2019.

Not only am I having a great time watching my Parsons (history) Prize winning son graduate from Ursinus College, but I had first Litro (USA) Lab’s podcast of my piece, “The Big Dream,” and now the news that I have been long-listed for the erbacce-prize!

Thanks to the contest administrators and judges. I am honored to be one of the relatively few selected from a pool of almost 8,000.

Two More Can Poems and a Senryu up at M58

Spin—an_aggravated_stall_and_autorotation.

Graphic I created for my can poem, “Can #10: spindrift Sparkling Water”

I am happy to report that two more can poems and a “Trending Facebook Feed Senryu” are seeing the light today in M58. Many thanks to Editor Andrew Taylor, another voice pushing the poetry envelope.

This batch includes my least favorite can poem, #10, and my current favorite, lucky #13. For #10, I felt there was barely enough material there, and I feel certain some readers will come away feeling it says nothing much. Still, I think it does enough to qualify for membership in what I hope will become a chapbook of twenty-five. #13, on the other hand, has action, rich and inventive imagery, and story. Thank you, Progresso Bread Crumbs, Italian Style.

The third poem literally popped up in my Trending Facebook Feed, back when Facebook had that. I couldn’t pass up its rich, though loose and open-ended, associations.

That is the little family out today, and I am happy to think of them rubbing shoulders with the likes of Jeff Bagato’s conceptual nonsense poems, A616’s intriguing video about the Lea MarshesHolly Painter’s inventive “Cryptic Crosswords,”  and John Cope’s “Vine Stalk Poem after Camilla Nelson.” 

So if you feel you need something new in your life, head over to M58. Enjoy the poetry buffet there, and don’t forget to let the “crispy casseroles” of “Can #13” “toss your seas.”

 

Three Poems Accepted by M58

Spin—an_aggravated_stall_and_autorotation.

Graphic I created for my poem, Can #10: spindrift Sparkling Water

I’m very happy to report that my poems, “Can #10: spindrift Sparkling Water,” “Can #13: Progresso Bread Crumbs, Italian Style,” and “Trending Facebook Feed Senryu,” have been accepted by M58. I’m grateful to Editor Andrew Taylor for accepting these, and for his work publishing avant-garde poetry in diverse forms.

I do not love work that is experimental to the point of being utterly random and obscurant, but I do like adventure, surprise, and being asked to bring an active imagination to texts. Unfortunately, I have found journals dedicated or even open to such poetry to be few and far between, and as I mentioned, I was essentially trolled by an editor for presuming to submit such material.

So again, especially grateful to Andrew Taylor, and looking forward to reading more of what M58 has to offer.  

More Can Poems to Appear in Clockwise Cat

clockwisecatIt has been some time since I have had anything to report, but I am happy to say that a reprint of my Can poem #6, the one about pride, in the shape of an American flag, and a new poem, “Can #11: Clabber Girl Double Acting Baking Powder,” will be out in the fall at Clockwise Cat, a politically progressive and aesthetically experimental venue. 

I am especially happy that Clockwise Cat‘s editor, Alison Ross, saw merit in these works because I had, before submitting to her, an extremely unpleasant experience with James K Beach, editor of Woodcoin, who, in four separate emails, called my can poems “derivative commercialism” and plagiarism, impugned my credentials, and ended by suggesting that I should be grateful for his “honesty.”

I mention this to warn anyone who may be considering submitting to Woodcoin. Had I not, by now, had some success, even a little serious success, with my writing, I might have been devastated by Beach’s responses.

To his credit, Beach did make me think about copyright more thoroughly. Although my can poems are not plagiarism because they use fragments of material in a transformative context, I realized that some of my media use was dubious, so I took the questionable ones off this site and resolved to be more careful in the future. I do thank Beach for that. 

But in contrast with him, Clockwise Cat editor Alison Ross was interested enough in my submission  to ask for more, which led me to write yet another poem (Can #11–take that, Beach) and acquire another publication credit. I am grateful to her and look forward to getting to know Clockwise Cat and eventually appearing there. 

 

Photo credit: Giftgarden Black Cat Wall Clock Home Decoration for Pets Gifts. 27 Feb. 2017, Flickr Commons. PD. 

“Can #8 . . .” Up On Five:2:One’s #thesideshow

Screen Shot 2018-02-26 at 11.13.21 PM

Screen shot from Creature from the Haunted Sea. PD.

The poem I wrote about here is up here, at Five:2:One, #thesideshow, complete with my reading, to a weird slideshow with sound effects. I had fun doing it, and I hope you have fun devoting thirty-one seconds of your life to it.

While you’re there, poke around among the other oddities and brevities. You will experience frequent and salutary jolts of the unexpected.

Cheers. 

Quilting with Unstitched States

 

IMG_1942Last spring I spent a lot of time researching and writing the Lolita essay that I blogged about here. As a result I did not get a lot of other writing out, so there has been a hiatus in acceptances.

But I am back in the game now, and proud to say that I have added a square to the collaborative virtual quilt being created by the curators of Unstitched States. Collectively, the squares are “a testament of solidarity to the principles of equality and dignity” in the face of the recent and ongoing escalation of “hate acts” in our communities.

I am honored to have contributed to the quilt. I recommend Unstitched States not only to artists looking for a venue where they can publish responses to our current social and political situation, but also to anyone who needs a quiet place where one can contemplate the America of diversity and hope.

You can find my square here.

 

photo: My pussy hat. Taken by me. CC.

NEW PAGES Review!

I’ve had a couple of nice comments on Twitter about my work, some gratifying mentions in  reviews of Owl Hollow Press‘ Dark Magic, and  some good reviews of my novella, Family Values, on Kindle, but I’ve just garnered my most prominent notice yet. On my daily visit to New Pages to check out the calls for submissions, I found a December 15, 2016, review of the latest issue of shufPoetry with an entire favorable paragraph devoted to my Can Poems! Here it is: 

Lorna Wood’s three pieces are all strong on their own but become even stronger as a cohesive collection, using descriptions of food products as the bulk of her text. In “Can 4,” an audio piece, she mixes a description of canned chicken brisket with repeated snippets from a porn video, an overload on the auditory senses until a reader is not sure if Wood is reading about chicken or women’s bodies. In “Can 6,” a current, relevant concrete poem in the form of an American flag, Wood combines Trump’s infamous “make america great again” with Pet Pride dogfood complete with choice ingredients of acid and artificiality, “Guaranteed pride” promised.

Actually, both the canned chicken and the Pet Pride are cat food, and I used my voice acting skills to simulate a porn clip, but the substance of the literary analysis is spot on here, and I am incredibly grateful to reviewer Katy Haas. The rest of her review is good, too. I agree with her that L.A. Riquez’s Wanderlust and A.J. Rocca and Micah Tuhy’s “Hope Measured in Inches” are both especially rich works, each in its own way.

Thanks again, Katy Haas. You made my day.

 

 

Can Poems Up in ShufPoetry

The can poems I wrote about in And Now for Something Completely Different are now up in ShufPoetry. These are quasi-found poems. First, in addition to using existing words on cans, read top to bottom, front to back, I occasionally used parts of words to make new ones. Second, I added some words to “Can #4” to enhance the audio, and some text to “Can #6” to enhance the graphic. Nevertheless, the limited vocabulary of the can texts forced me to associate freely and think of dimensions of the can language that strayed far from the corporate mindset behind their manufacture. A can of chicken flavored cat food led me to the consumption of pornography, a can of tuna led to a dreamy lyric about death and risk, and a can of Pet Pride cat food led to evocations of the Trump campaign. All great fun, for readers as well as me, I hope.

And by the way, just because there happened to be two cans of cat food and a can of tuna in my cupboard when I finished up my can poems, there is no need to assume I am a crazy cat lady. I have no cats right now, but was cat-sitting for a friend.