After a fantastic visit to San Francisco, during which my husband and I attended the launch party for 2% Milk, the issue has launched. It looks spectacular, and I’m not just talking about my poetry. Find out what all the fuss is about here
In case you’re still not convinced, check out the trailer for the project:
The trailer was shown at the launch party, where we also enjoyed the superb fare and beer of Pizza Hacker, the company of indefatigable editors Nic, Reed, and Lily, and conversation with fellow contributor Bob Ernst, as well as various other attendees. I also read my poems there, and a selection from The Jesus Wars—all welcomed by the friendly audience.
As I have said before, 2% Milk is full of cool artists in a variety of media. The editors thoughtfully sent their files to all contributors ahead of time, and I have checked most of them out. I feel confident in saying that the issue contains not just something for everyone, but something you really needed, even if you didn’t know it.
And in case you are more philosophically inclined, on June 8th, the editors will put out a round-table discussion with contributors regarding their work, and art in general, in its sociopolitical context. Don’t worry. I’ll remind you about it.
Just a quick update: the paperback edition of What We Talk About When We Talk AboutIt, with my story, “Second Honeymoon,” in it, is now available on Amazon here. I have been reading the first story, and am definitely intrigued by the love between a girl and her pet tornado.
So be sure to get your copy today! And please please please leave a review. Photo credit: Promotional cover photo, Darkhouse Press.
Cover design for the volume. Darkhouse Books promotional photo.
“Second Honeymoon,” which I wrote about in this post, is now out in Volume 1 of the Darkhouse Books anthology, What We Talk About When We Talk AboutIt: Variations on the Theme of Love, on Kindle here. Paperback and other formats to follow.
The call for submissions asked for unusual takes on love, and I guess my tale of a middle-aged couple struggling with their marriage was unusual enough. On re-reading it, I still find the ending abrupt, but at the same time, I believe people do sometimes experience moments like the one I describe, especially when they are highly emotional.
Regardless, I look forward to reading the volume and seeing what other takes on love people came up with. It contains poems and other genres, so there is plenty of variety.
So pick up your copy in time for Valentine’s Day! And as always, please let me know what you think.
I was pleased to be informed today that out of almost 600 stories submitted to the Online Writing Tips Short Fiction Prize, my story, “The Rollaway,” is one of 60 to be longlisted! I really like this story, which is about love and dreams and missed opportunities, so it is good to know that the judges thought it had merit, even if it doesn’t go any further.
I hope I make the short list on July 15th, but regardless, Online Writing Tips is a site with free online writing tips, and this contest is free to enter, so what’s not to like? I’m grateful.
Photo credit: My rollaway, taken by me, 2 July 2019.
Just received the gratifying news that my story, “Second Honeymoon,” will be published in the fall or spring in one of two planned anthologies: What We Talk About When We Talk About It: Variations on the Theme ofLove, Volume 1, or the same, Volume 2. I don’t know much about Darkhouse, but my story seemed to me to fit their call for stories examining many different types of love and love in different types of situations, and I was pleased to find I had judged correctly. The story was one of a handful selected from close to 2000 submissions!
I was traveling with my husband in the Netherlands some time ago and having a great time when I happened to imagine what our trip would be like if our marriage were not going well. How would the art, the food, the expensive hotels, the romantic scenery, be experienced by a couple who were trying to pretend things were OK when they weren’t, or trying to force romance to blossom (or blossom again)? So I wrote about such a couple in The Hague–hence the Girl with the Pearl Earring, above, though the middle-aged female protagonist in my story explicitly deplores excessive selfie-taking.
I look forward to the editing process with Darkhouse Books, and to familiarizing myself with one of their anthologies while I wait for them to publish my story.
Those editors at With Candlelight are fast. My story is already up, and I’ve already been paid.
The story is about a man who writes icky poetry for greeting cards. He meets a woman who claims his greeting cards changed her life, but things aren’t always as rosy as they seem to be at first. The man has a crisis about the meaning of his life and work.
I especially had fun inventing different greeting card poems for this story. Also, the woman can hardly finish a sentence–hence her recourse to prefabricated poems–so her dialogue was fun to write.
As usual, I found some typos in the printed product. It is very difficult to get all these out. I hope you will check out and enjoy the story here anyway.
I just received word that my story, “The Land of Rainbow Greetings,” will appear in a new journal called With Candlelight. This is especially welcome because when I first wrote this story, I wasn’t sure I liked it. I wrote it in a hurry for a deadline at a place that rejected it, and at the last minute I Hemingwayed it big time–cut three quarters of what I had written. Initially, I’d had a whole dinner party, but I pared it down to just the two main characters. I also didn’t know if I liked it because it is based heavily on an idea, and I wondered if the idea had taken over the story and made it a dull fable.
I liked it so little that for a year I just left it here or there at places that seemingly forgot about it. Then a few days ago, on Submishmash, I think, I saw that With Candlelight was looking for material. I went there and had a good vibe from the editors’ statements. This story seemed right because it is basically literary with a slight element of horror, and they like horror but are open to various genres and cross-genre work. Still, was the story good enough to bother them with?
I reread it and liked it a lot better. I even felt bad that I had consigned it to limbo for so long. I felt it might merit the $15 honorarium With Candlelight was offering. And luckily, the editors agreed–in very short order.
I draw a couple of conclusions from this: 1. Keep your eye on those newsletters. Some opportunities will pan out. 2. Revisit your work once you have some distance on it. It might surprise you. And 3. The editors of With Candlelight are cool people with great taste.